Netflix Nourishment: 1st Edition

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MUTE

A sci-fi noir that’s visually dazzling, but a Blade Runner rip-off all the same. This scatterbrained story is a frustrating one with nothing new to say, lasting too long and being weird in all the wrong ways. When director Duncan Jones shows us signs of something special, it dissolves in the blink of an eye.

SEEING ALLRED

Love her or hate her, she’s a ball-buster for human rights. In this sensational, enthralling documentary, we get to see the woman behind the press conferences, along with the fighting for justice that is her life. Her personal challenges are barely touched, but there’s no mistaking that her hell-raising, while shocking back in the day, has brought tremendous change.

THE RITUAL

A stylish horror tale that terrifies with emotional regret and physical fear. Director David Bruckner takes full advantage of the Swedish landscape, covering it with doubt and dread. Yet, when the monster comes out of hiding, what made the movie different disappears.

THE CLOVERFIELD PARADOX

A stale sci-fi thriller that shows the birth of the Cloverfield world, simultaneously sweeping away all of its marvelous mystery. Whatever wild ideas left floating around are suctioned up and spit out in to space; consequently, leaving a surprisingly strong cast stranded with nothing to do in a space station of clichés with very few tense moments. It’s only in Gugu Mbatha-Raw’s engrossing performance we get any rare emotion out of an otherwise lifeless movie.

CHRIS ROCK: TAMBORINE

Chris Rock is considered by most in the comedy world as one of the best comedians around, approaching legend status. Personally, he’s never been my favorite, but his latest stand-up (his first of two Netflix specials) reveals a different side, one that we’ve never seen before. Race, gun control and him being a shitty husband—it’s all in there. Nothing is off limits. While it’s only 60 minutes, Rock appears to be a wiser dude and funnier for it.

WHEN WE FIRST MET

A rom-com with a story on repeat where things never go according to plan. Laughs are scarce and reliving a guy who’s trapped in the friend zone isn’t ideal. But Adam DeVine gives his best effort in trying to liven up each scenario with goofy charm, working only half the time.

ON BODY AND SOUL

It’s quietly gentle in portraying the dark difficulties of falling in love when two shy, lonely co-workers discover their dreams are alike and want to make them a reality. Too bad there’s not a care in the world if these strangers get laid or not as each scene keeps equaling empty emotion in this slow, awkward romance about human connection.GODLESS

This limited series is a down-and-dirty Western dominated by a mostly female-driven cast with revenge running through its veins. It can only be settled one way, but how we get there in this seven episode event is what enthralls, each little moment having traces of malice, vindication, and justice. The entire ensemble is sensational, but a ruthless Jeff Daniels, Jack O’Connell as a compassionate cowboy, and a fierce, fiery Merritt Wever are the standouts. In a lawless land where beauty battles brutality, there are numerous memorable characters, unbelievable scenery and, most importantly, a story that defies what this genre should look like and stand for.

“Nature Boy” Brandon Vick is the resident film critic of the SoBros Network, and star of Brandon’s Box Office In Your Mouth. Follow him on Twitter@SirBrandonV and be sure to search #VicksFlicks for all of his latest movie reviews.

BRIGHT

I initially rolled my eyes at Bright, thinking it was going to be some socially conscious reflection of our current society. In a way, it is, and in a way, that kind of thing is needed. But, I’m turning on Netflix to forget about the real world. I’m not in the mood for messages. I elected to give it a shot anyway and came away pleasantly surprised.

It’s weird – don’t get me wrong. We’re thrown into a world where fairies and orcs crowd Los Angeles streets as if they’re everyday people. And, the tale is as tall as any building in the city. But, it’s a quality story with a likable hero in a setting with remarkable ambience. Definitely worth the watch.

THE DEFENDERS

When you’ve seen the full extent of the Marvel brand, it gets harder and harder to live up to the hype. That’s the case with The Defenders as well. Marvel got off to a hot start with its Netflix universe – Daredevil, Luke Cage, and Jessica Jones were all hits. But, when Iron Fist came out, things came to a screeching halt. Suddenly, the characters felt shallow and always brooding. The Defenders isn’t much different – it’s heavy on the action, and while it ties up a lot of loose ends, you’re left wondering, “that’s it?!?!”

Stoney Keeley is the Editor in Chief of The SoBros Network. He is a strong supporter of Team GSD and #BeBetter. “Big Natural” covers the Tennessee Titans, Alabama Crimson Tide football, the WWE, and a whole wealth of nonsense. Follow on Twitter @StoneyKeeley

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